More and more art institutions and stages are opening up to and focusing on dance, especially conceptual dance. What socio-cultural and aesthetic changes lie beneath this? Is a more intellectually stimulating dance, with less body and movement, easier to sell and cheaper to run, or does the turn meet a demand from the audience? At the same time there has been a shift over the past few years towards a more visually oriented language also in the Norwegian contemporary dance. What are the consequences, for whom?
Panel: Ingri Fiksdal, Jon Refsdal Moe, Juli Reinartz. Moderator: Sidsel Pape
The talk will be in English